Hunter Vaughan - Department of English

Education Ph.D. University of Oxford
Areas of study Film Theory and Philosophy French Cinema Identity Studies in Media Visual Culture and the Environment Publications Books Where Film Meets Philosophy: Godard, Resnais, and Experiments in Cinematic Thinking. New York: Columbia University Press, 2013. Selected Articles “Re-Mapping Cinema for the Twenty-First Century: Globalism, Borders, and Bodies in the Films of Lukas Moodysson,” Journal of European Popular Culture, Vol. 1, No. 2 (Summer 2011) “The Philosophical War: Beyond the Cartesian Subject in Alain Resnais’ La Guerre est finie (1966)”, Studies in French Cinema, Vol. 11, No. 2 (Summer 2011) “The Paradox of Film: an Industry of Sex, a Form of Seduction (notes on Jean Baudrillard’s Seduction and the Cinema),” Film and Philosophy Vol. 14, No. 2 (November 2010) “What is the French Philosophy of Cinema?” New Review of Film and Television Studies Vol. 8, No. 1 (March 2010)

Title: Assistant Professor
Office: 530 O'Dowd Hall
Phone: 248.370.4131
Email: vaughan@oakland.edu

Education

Ph.D. University of Oxford

Areas of study

Film Theory and Philosophy

French Cinema

Identity Studies in Media

Visual Culture and the Environment

Publications

Books
Where Film Meets Philosophy: Godard, Resnais, and Experiments in Cinematic Thinking. New York: Columbia University Press, 2013.

Selected Articles
“Re-Mapping Cinema for the Twenty-First Century: Globalism, Borders, and Bodies in the Films of Lukas Moodysson,” Journal of European Popular Culture, Vol. 1, No. 2 (Summer 2011)

“The Philosophical War: Beyond the Cartesian Subject in Alain Resnais’ La Guerre est finie (1966)”, Studies in French Cinema, Vol. 11, No. 2 (Summer 2011)

“The Paradox of Film: an Industry of Sex, a Form of Seduction (notes on Jean Baudrillard’s Seduction and the Cinema),” Film and Philosophy Vol. 14, No. 2 (November 2010)

“What is the French Philosophy of Cinema?” New Review of Film and Television Studies Vol. 8, No. 1 (March 2010)